Frankenstein. Image:Robert Palmer Sneakin Sally.jpg is being used on this article. But the rhythm section does kick keister, while Lowell George’s guitar—it’s the “George Effect,” yet again—gives “Get Outside” that Little Feat flavor. ○   Wildcard, crossword Sneakin' Sally through the alley Trying to keep her out of sight Sneakin' Sally through the alley When up pops the wife I said, "I can't find nothing wrong with being friends 'Coz sometimes she lets me use the car" She said,"If you can't find nothing wrong with your mind … ), Lowell George - guitar on 1, 3, 4, 6, & 7. Me, I’d have preferred a couple of songs (too bad Palmer didn’t get around to recording “Man Smart, Woman Smarter” and Little Feat’s “Spanish Moon” until 1976’s Some People Can Do What They Like) in its place.  |  But then that Disco Dead refrain returns, to the accompaniment of Palmer’s muttering, and everything slowly begins to wind down before starting up again, the band and Palmer—who outdoes himself at moments here, growling and repeating himself and generally upping the funk—giving it one final great go. A windows (pop-into) of information (full-content of Sensagent) triggered by double-clicking any word on your webpage. Nothing wrong with that—I fully intend to be a pop star myself one of these days—but his music slowly became every bit as cold, antiseptic, and robotic as the female clones or sexy cyborgs or whatever you choose to call those swaying and pouty “guitarists” who made the “Addicted to Love” and “Simply Irresistible” videos such big hits. All rights reserved. But it is one of the funkier tunes you’ll ever hear, and moves at a tempo that lets you know that Palmer and his fugitive inamorata aren’t so much sneaking through that alley as a making a mad dash. ○   Lettris Meanwhile The Meters—with Simon Phillips filling in for Modeliste on drums—establish a slinky yet powerful groove (Porter’s bass is particularly ear catching) over which Palmer delivers a bravura performance on vocals. Get Full Access! About “Sneakin’ Sally Through The Alley” The title song from Robert Palmer’s debut album is a funky, bass-driven cover of an Allen Toussaint composition. As for the mammoth (12 and ½ minutes!) Trying to double talk, get myself in trouble talk, catching myself in lies Catching myself in lies Mama just looked at me as if I was, ah, crazy And didn't even bat an eye before him, Palmer made hay (and a gigantic payday) by embracing a parody of sexuality, and it’s possible that’s precisely what he was looking to achieve, although I doubt it. Which is not to deny that the tune’s propulsive groove will get you sooner or later, it having 12 minutes plus to do its dirty work. The Vinyl District, your daily brick and mortar, indie record store fix. And not only did he have a car, he had Sneakin’ Sally Through the Alley playing on 8-track. Palmer plays soul man on Toussaint’s “From a Whisper to a Scream,” a slow but building R&B number that opens with an echoing wah guitar by The Meters’ Nocentelli and slowly builds while Palmer sings until in comes what sounds like the organ playing of Steve Winwood. The first three songs "Sailing shoes," "Hey Julia" and "Sneakin' Sally Through the Alley" (which are kind of all joined together) are worth the price alone. It made mine drop, anyway, but I suffer from a rare condition know as Shark Jaw, which basically means my jaw isn’t attached to my cranium. And the song gets downright funky at around the six-minute mark, with somebody (not Palmer) letting out the occasional cry while the band knocks everything up a notch. Correction: Robert Palmer - Sneaking Sally Through The Alley (chords) Comment. I’m talking spitting image Traffic shit here people. Each square carries a letter. I said, "i can't find nothing wrong with being friends, 'Cause sometimes she lets me use her car." Verse 1: B7 E7 D7 B7 Sneaking Sally through the alley, tryin' to keep her outta sight. That’s right, he plays it smooth. Now you never hear anything on the dial from this record.....also the last two tracks on this album which never got any airplay are great! Wireless Digital Microscope For Android, Continental Main Course, How To Connect Phone To Car With Usb, Cabot Seriously Sharp Cheddar Cheese, Kérastase Resistance Masque Force Architecte 200ml, Geico Claims Address Macon, Ga 31296, Morphe Blusher Palette, "> Frankenstein. Image:Robert Palmer Sneakin Sally.jpg is being used on this article. But the rhythm section does kick keister, while Lowell George’s guitar—it’s the “George Effect,” yet again—gives “Get Outside” that Little Feat flavor. ○   Wildcard, crossword Sneakin' Sally through the alley Trying to keep her out of sight Sneakin' Sally through the alley When up pops the wife I said, "I can't find nothing wrong with being friends 'Coz sometimes she lets me use the car" She said,"If you can't find nothing wrong with your mind … ), Lowell George - guitar on 1, 3, 4, 6, & 7. Me, I’d have preferred a couple of songs (too bad Palmer didn’t get around to recording “Man Smart, Woman Smarter” and Little Feat’s “Spanish Moon” until 1976’s Some People Can Do What They Like) in its place.  |  But then that Disco Dead refrain returns, to the accompaniment of Palmer’s muttering, and everything slowly begins to wind down before starting up again, the band and Palmer—who outdoes himself at moments here, growling and repeating himself and generally upping the funk—giving it one final great go. A windows (pop-into) of information (full-content of Sensagent) triggered by double-clicking any word on your webpage. Nothing wrong with that—I fully intend to be a pop star myself one of these days—but his music slowly became every bit as cold, antiseptic, and robotic as the female clones or sexy cyborgs or whatever you choose to call those swaying and pouty “guitarists” who made the “Addicted to Love” and “Simply Irresistible” videos such big hits. All rights reserved. But it is one of the funkier tunes you’ll ever hear, and moves at a tempo that lets you know that Palmer and his fugitive inamorata aren’t so much sneaking through that alley as a making a mad dash. ○   Lettris Meanwhile The Meters—with Simon Phillips filling in for Modeliste on drums—establish a slinky yet powerful groove (Porter’s bass is particularly ear catching) over which Palmer delivers a bravura performance on vocals. Get Full Access! About “Sneakin’ Sally Through The Alley” The title song from Robert Palmer’s debut album is a funky, bass-driven cover of an Allen Toussaint composition. As for the mammoth (12 and ½ minutes!) Trying to double talk, get myself in trouble talk, catching myself in lies Catching myself in lies Mama just looked at me as if I was, ah, crazy And didn't even bat an eye before him, Palmer made hay (and a gigantic payday) by embracing a parody of sexuality, and it’s possible that’s precisely what he was looking to achieve, although I doubt it. Which is not to deny that the tune’s propulsive groove will get you sooner or later, it having 12 minutes plus to do its dirty work. The Vinyl District, your daily brick and mortar, indie record store fix. And not only did he have a car, he had Sneakin’ Sally Through the Alley playing on 8-track. Palmer plays soul man on Toussaint’s “From a Whisper to a Scream,” a slow but building R&B number that opens with an echoing wah guitar by The Meters’ Nocentelli and slowly builds while Palmer sings until in comes what sounds like the organ playing of Steve Winwood. The first three songs "Sailing shoes," "Hey Julia" and "Sneakin' Sally Through the Alley" (which are kind of all joined together) are worth the price alone. It made mine drop, anyway, but I suffer from a rare condition know as Shark Jaw, which basically means my jaw isn’t attached to my cranium. And the song gets downright funky at around the six-minute mark, with somebody (not Palmer) letting out the occasional cry while the band knocks everything up a notch. Correction: Robert Palmer - Sneaking Sally Through The Alley (chords) Comment. I’m talking spitting image Traffic shit here people. Each square carries a letter. I said, "i can't find nothing wrong with being friends, 'Cause sometimes she lets me use her car." Verse 1: B7 E7 D7 B7 Sneaking Sally through the alley, tryin' to keep her outta sight. That’s right, he plays it smooth. Now you never hear anything on the dial from this record.....also the last two tracks on this album which never got any airplay are great! Wireless Digital Microscope For Android, Continental Main Course, How To Connect Phone To Car With Usb, Cabot Seriously Sharp Cheddar Cheese, Kérastase Resistance Masque Force Architecte 200ml, Geico Claims Address Macon, Ga 31296, Morphe Blusher Palette, ">

sneakin' sally through the alley meaning

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And while it’s perfectly possible to make a stinko LP even with such talent on hand, such was not the case with Sneakin’ Sally Through the Alley. Released in September 1974 on Island (catalog no. Listen to the segue of Sailin' Shoes/ Hey Julia/ Sneakin' Sally through the Alley and if you are familiar with Little Feat at all, you will see just what I mean. If so, he failed to account for the fact that by producing parodies, he became one himself. For those of you who don’t know, there’s a million miles of difference between Palmer’s mid-1970s work and the swill—by which I mean the likes of “Addicted to Love,” “Simply Irresistible,” and “Can We Still Be Friends,” the Todd Rundgren tune that never fails to make me vomit from the ears—that constitutes his chief legacy to pop culture. It is my expert critic’s opinion that Sneakin’ Sally Through the Alley is the best of Palmer’s LPs, better even than its chief competitor, Some People Can Do What They Like. And don’t even get me started on his stint with a few Duran Duraners in The Power Station.  |  In my mind I can still see that badge in the middle of the vinyl LP. Sneakin' Sally Through the Alley, an Album by Robert Palmer. You’d think the guy would have learned his lesson sneaking Sally through the alley. Scientists don’t know why, but xylophones are the hay fever of musical instruments. In from BEK ->, the second "Sneakin' Sally" of this fan favorite show functions as a funky reprisal of the major bust-out that opened the evening's festivities. Tracks 4, 5, & 8 is the New York rhythm section, All translations of sneakin sally through the alley. Sneakin' Sally Through the Alley. But what’s a guy to do? Add new content to your site from Sensagent by XML. Which is why I intend to stick with the Palmer making his furtive way with Sally through the alley; he’s horny, afraid, and very, very much alive. He groans, hisses, and digs down deep into his soul for that sound it’s impossible to emulate. Type song title, artist or lyrics Making its return on the biggest of stages, “Sneakin’ Sally” triumphantly opened the 12/30/97 gig at Madison Square Garden after a 921-show absence. Every year people would spend the day getting wonderfully wasted, and every year a tiny minority would disappear into the woods abutting the field for “a brief nap,” only to wake up the next morning marooned, like Robert Crusoe with a killer hangover. The wordgames anagrams, crossword, Lettris and Boggle are provided by Memodata. Which is partly why songs like “Addicted to Love” annoy me so; they’re all surface and gloss, as if he’d turned in his musician’s union card in favor of imitating an oil slick. The album opens on a high note with Palmer’s excellent cover of Little Feat’s “Sailin’ Shoes.” At the risk of angering Little Feat’s gigantic on-line fan base, which tore me a new asshole the last time I dared write a review of a Little Feat LP, I actually prefer Palmer’s version to Little Feat’s, because while the latter is pure blues genius, Palmer and The Meters opt (big surprise) to funk the thing up, and quicken the tempo some while they’re at it. Little Feat’s Lowell George, Steve Winwood, and The Meters (Art Neville on keyboards, Leo Nocentelli on guitar, George Porter, Jr. on bass, and Joseph Modeliste on drums) all play on the LP, while the great Allen Toussaint contributes two excellent songs, one of them the magnificent title cut. Palmer utilizes an entirely different band—the LP was recorded in three different locations, and Palmer chose to utilize the local talent in each case—on the slow and very funky “Get Outside.” The rhythm section of Gordon Edwards (bass) and Bernard Purdie (drums) will make your jaw drop. It was his first effort after three album releases co-fronting the band Vinegar Joe. Sneakin' Sally Through the Alley is Robert Palmer's debut solo album, released in 1974. To make squares disappear and save space for other squares you have to assemble English words (left, right, up, down) from the falling squares. And it doesn’t get much smoother than on the Palmer/George tune “Blackmail,” a fast-paced number that opens with some funky horns (for that Stax feel, natch). The album was released on compact disc in 1990. I know, I wish I didn’t either!) Phish, "Sneakin' Sally Through The Alley" – 10/31/98, Las Vegas, NV “Sneakin’ Sally” was played frequently through the late 80s, then after 5/28/89 it was dropped for over a decade. Palmer is backed by The Meters and Lowell George of Little Feat. (sneaking sally through the alley, oo, oo, oo) Sneaking sally through the alley, Tryin' to keep her from sight. English Encyclopedia is licensed by Wikipedia (GNU). Before becoming a slick, sharp-dressed pop star in the 1980s, Robert Palmer was a soul singer deeply rooted in R&B and funk. With a backing band including members of Little Feat and the Meters, the music has a laid-back groove whether Palmer's covering New Orleans legend Allen Toussaint (the title track) or singing originals ("Hey Julia," " … Then again, I’m the guy who predicted a long and fruitful career for Mouth and MacNeal. The Vinyl District – Black Friday Vinyl Sweepstakes Rules, The Vinyl District Record Store Locator App Privacy Policy, TVD Live: The Forecastle Festival, 7/18–7/20. “Addicted to Love” leaves me cold because it is cold—and deliberately so—as cold as the Arctic, or a corpse. *from 'Sneakin' Sally through the Alley' (1974)* *CAPO 2nd FRET* (Original Key: B) Intro: B7, E7 D7 B7 (x2) Chorus 1: B7 E7 D7 B7 Sneaking s Sally through the alley, ooh, ooh, ooh. Change the target language to find translations. The SensagentBox are offered by sensAgent. True, Palmer goes completely hoarse at the end, and (wonderfully) not a single soul in that studio insisted he re-record it “correctly.” And the song’s lyrics—which I suspect were written by George—are great, opening with the lines, “Well, you told me that you weren’t infectious/So I brought no precautions with me/And you said your old man was in Texas/And anyway he’d forgotten his key.”. Recorded in New Orleans, New York, and Nassau, Sneakin’ Sally Through the Alley is a quintessentially American album, even though Palmer was a sharp-dressed Englishman. This is really decent music, and NOT the "Addicted To Love" type material that Robert became famous for many years later. Privacy policy Company Information Lyrics for Sneakin' Sally Through The Alley by Robert Palmer. Featured peformers: Robert Palmer (vocals), Steve Smith (producer), Phill Brown (engineer), Ken Laxton (engineer), Alan Varner (engineer), Rhett Davies (engineer). Okay, so I exaggerate. One of those great Island Record releases. But my favorite parts of the tune are Richard Tee’s piano and—you guessed it—Palmer’s vocals, which are gritty when called for, and this tune definitely calls for some true grit. Palmer is backed by The Meters and Lowell George of Little Feat. Letters must be adjacent and longer words score better. As for Palmer, who gets a lot of help from his female back-up singers, sings, “You make me feel like I don’t need another/Come on baby let’s pull back the covers/And do our best to help one another/Find out how much fun we can get into life.” Sounds like a plan. 1974 Preview SONG TIME Barefootin' 1. Sneakin' sally through the alley Sneakin' sally through the alley Trying to get away clean Sneakin' sally through the alley When up pops the queen Trying to double talk, get myself in trouble talk, catching myself in lies Catching myself in lies Mama just looked at … Of course, the minute I say Palmer never plays it smooth on his early LPs what does he do? I first heard Robert Palmer’s Sneakin’ Sally Through the Alley the morning after my beloved alma mater, Shippensburg University, held its annual “Spring Fling” in a field in the middle of nowhere. Meanwhile the rest of The Meters funk things up, and George plays his guitar, although I don’t hear it. 2:40 PREVIEW Let's Go Baby. Sneakin' sally through the alley Sneakin' sally through the alley Trying to get away clean Sneakin' sally through the alley When up pops the queen Trying to double talk, get myself in trouble talk, catching myself in lies Catching myself in lies Mama just looked at … ○   Anagrams The rhythm section is tighter than a Vulcan Death Grip, there are lots of cool female back-up singers, and Palmer doesn’t sound the least bit English, but more like he grew up next door to George, the two of them soaking up classic blues, funk, and R&B in George’s bedroom while his mom screamed up the stairs, “Turn that jukebox down!”, “Sailin’ Shoes” segues into the Palmer-penned “Hey Julia,” a syncopated and mid-tempo number that opens with a throbbing bass, handclaps, and some very cool percussion by Jody Linscott. 2. The web service Alexandria is granted from Memodata for the Ebay search. [1][2]. A perky and upbeat song about drinking life to the dregs, it opens on a wacky note, then Art Neville plays a very funky piano riff that sounds like it came straight off a Little Feat record. Meanwhile Palmer takes punches at himself for fucking up a relationship. Get XML access to reach the best products. Contact Us “Hey Julia” in turn segues straight into the Toussaint-penned title cut, which is without a doubt the greatest song ever written. Palmer’s solo career followed a stint with Vinegar Joe, the feckless English R&B band that released three forgettable (and I’m talking so forgettable I never even knew they existed) LPs for Island Records. Tips: browse the semantic fields (see From ideas to words) in two languages to learn more. “From a whisper in the wind,” he sings, “To a loud scream the message came/That I’d lost you to another man.” And later, he tosses off the great line, “I took kindness for granted/As if it came with the wallpaper.” That’s what’s called poetry, folks. Preview Add correction. Editors’ Notes Robert Palmer’s first solo album marks the intersection of several extraordinary musical forces. It’s easy, affordable, and cost-effective to be seen at The Vinyl District. Jumps right into a jammed-out show-closing > Frankenstein. Image:Robert Palmer Sneakin Sally.jpg is being used on this article. But the rhythm section does kick keister, while Lowell George’s guitar—it’s the “George Effect,” yet again—gives “Get Outside” that Little Feat flavor. ○   Wildcard, crossword Sneakin' Sally through the alley Trying to keep her out of sight Sneakin' Sally through the alley When up pops the wife I said, "I can't find nothing wrong with being friends 'Coz sometimes she lets me use the car" She said,"If you can't find nothing wrong with your mind … ), Lowell George - guitar on 1, 3, 4, 6, & 7. Me, I’d have preferred a couple of songs (too bad Palmer didn’t get around to recording “Man Smart, Woman Smarter” and Little Feat’s “Spanish Moon” until 1976’s Some People Can Do What They Like) in its place.  |  But then that Disco Dead refrain returns, to the accompaniment of Palmer’s muttering, and everything slowly begins to wind down before starting up again, the band and Palmer—who outdoes himself at moments here, growling and repeating himself and generally upping the funk—giving it one final great go. A windows (pop-into) of information (full-content of Sensagent) triggered by double-clicking any word on your webpage. Nothing wrong with that—I fully intend to be a pop star myself one of these days—but his music slowly became every bit as cold, antiseptic, and robotic as the female clones or sexy cyborgs or whatever you choose to call those swaying and pouty “guitarists” who made the “Addicted to Love” and “Simply Irresistible” videos such big hits. All rights reserved. But it is one of the funkier tunes you’ll ever hear, and moves at a tempo that lets you know that Palmer and his fugitive inamorata aren’t so much sneaking through that alley as a making a mad dash. ○   Lettris Meanwhile The Meters—with Simon Phillips filling in for Modeliste on drums—establish a slinky yet powerful groove (Porter’s bass is particularly ear catching) over which Palmer delivers a bravura performance on vocals. Get Full Access! About “Sneakin’ Sally Through The Alley” The title song from Robert Palmer’s debut album is a funky, bass-driven cover of an Allen Toussaint composition. As for the mammoth (12 and ½ minutes!) Trying to double talk, get myself in trouble talk, catching myself in lies Catching myself in lies Mama just looked at me as if I was, ah, crazy And didn't even bat an eye before him, Palmer made hay (and a gigantic payday) by embracing a parody of sexuality, and it’s possible that’s precisely what he was looking to achieve, although I doubt it. Which is not to deny that the tune’s propulsive groove will get you sooner or later, it having 12 minutes plus to do its dirty work. The Vinyl District, your daily brick and mortar, indie record store fix. And not only did he have a car, he had Sneakin’ Sally Through the Alley playing on 8-track. Palmer plays soul man on Toussaint’s “From a Whisper to a Scream,” a slow but building R&B number that opens with an echoing wah guitar by The Meters’ Nocentelli and slowly builds while Palmer sings until in comes what sounds like the organ playing of Steve Winwood. The first three songs "Sailing shoes," "Hey Julia" and "Sneakin' Sally Through the Alley" (which are kind of all joined together) are worth the price alone. It made mine drop, anyway, but I suffer from a rare condition know as Shark Jaw, which basically means my jaw isn’t attached to my cranium. And the song gets downright funky at around the six-minute mark, with somebody (not Palmer) letting out the occasional cry while the band knocks everything up a notch. Correction: Robert Palmer - Sneaking Sally Through The Alley (chords) Comment. I’m talking spitting image Traffic shit here people. Each square carries a letter. I said, "i can't find nothing wrong with being friends, 'Cause sometimes she lets me use her car." Verse 1: B7 E7 D7 B7 Sneaking Sally through the alley, tryin' to keep her outta sight. That’s right, he plays it smooth. Now you never hear anything on the dial from this record.....also the last two tracks on this album which never got any airplay are great!

Wireless Digital Microscope For Android, Continental Main Course, How To Connect Phone To Car With Usb, Cabot Seriously Sharp Cheddar Cheese, Kérastase Resistance Masque Force Architecte 200ml, Geico Claims Address Macon, Ga 31296, Morphe Blusher Palette,

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